

"...what's on display here is tantalizing... and powerful in itself. And it augurs well for the mixed-genre performance forms in which Mr. Gantner [P.S. 122 Artistic Director] seems to take a special interest."
- John Rockwell, The New York Times
In an excerpt from the Shane Belles film Dakota, performer Colin Gee - a former principle clown for Cirque du Soleil - combines experiments in identity with deft physical characterization to recreate the film's climactic scene as a riveting solo performance. The scene portrayed is the cathartic arrival of a father to negotiate the exchange of his abducted daughter from former associates, having failed all demands. Introduced by a video installation that provides narrative context and a synopsis of the film, from Dakota also features live vocal and electronic accompaniment from acclaimed composer Erin Gee.
P.S. 122's Sunday Afternoon Discovery takes back the talk-back and reinvigorates it with in-depth and engaging exchanges with the artists, from interactive lectures to full-on workshops.
On September 11, check your personality at the door and join Colin for "Transparent Portraits: Identity as a Function of Time Place and Learning," free after the performance.
Click to read John Rockwell's full review,
"A Movie's Climactic Scene Reimagined for the Stage"(.pdf) in The New York Times.
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Performance Space 122
Offices
67 West Street Unit 315
Brooklyn, NY 11222
Phone: 212-477-5829
click for a staff listing.
Original Design: David Mashburn and Sean Carmody
with Implementation and Consultation by: Michael Barrish
and Matt Kingston
Design Refresh: Alex Reeves