Funding and Co-production Credits for PS122’s Coil 2017 Festival

Coil 2017 Logo

Performance Space 122’s Coil 2017 Festival is supported by A.R.T. New York, Australian Consulate-General in NY, Australia Council for the Arts, Axe-Houghton Foundation, Barragga Bay Fund, Bloomberg Philanthropies, British Council, Chromocell, Doris Duke Charitable Foundation, East Village Community Coalition, Flanders State of the Art, Howard Gilman Foundation, The Harkness Foundation for Dance, Humanities New York, The Hyde and Watson Foundation, Jerome Foundation, Lambent Foundation Fund of Tides Foundation, MAP Fund, The Andrew W. Mellon Foundation, Mertz Gilmore Foundation, Morrison Foerster Foundation, National Endowment for the Arts, National Performance Network (NPN), New England Foundation for the Arts’ National Dance Project, New York City Department of Cultural Affairs in partnership with the City Council, The New York Community Trust, New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature, Jerome Robbins Foundation, Rockefeller Brothers Fund, The Fan Fox and Leslie R. Samuels Foundation, The Shubert Foundation, The Harold & Mimi Steinberg Charitable Trust, Theatermania.

Yehuda Duenyas’ CVRTAIN is commissioned by Performance Space 122 with an implementation grant from the Doris Duke Charitable Foundation for the Building Demand for the Performing Arts Program. CVRTAIN is co-presented by Performance Space 122 and Wallplay. Sponsorship provided by Skullcandy, M ss ng P eces, De Boer Media, and Mindride.

Antony Hamilton’s MEETING is supported by the Australian Government through the Australia Council, its arts funding and advisory body, and was co-curated by Performance Space 122 and the City of Melbourne’s Arts House. MEETING is co-presented by Performance Space 122 and La MaMa.

Forced Entertainment’s Real Magic is co-produced by PACT Zollverein Essen, HAU Hebbel Am Ufer Berlin, Künsterlhaus Mousonturm Frankfurt, Tanzquartier Wien Vienna, ACCA Attenborough Centre for the Creative Arts, University of Sussex and the Spalding Gray Consortium – On the Boards in Seattle, Performance Space 122 in NYC, Walker Art Center in Minneapolis, and the Warhol Museum in Pittsburgh. Real Magic is co-presented by Performance Space 122 and La MaMa.

Pavel Zuštiak/Palissimo’s Custodians of Beauty is commissioned by the Walker Art Center with support provided by the William and Nadine McGuire Commissioning Fund, the Andrew W. Mellon Foundation, and the National Performance Network’s (NPN) Creation Fund project created in partnership with the Walker Art Center, Legion Arts, New York Live Arts, and NPN. Co-commissioned by American Dance Institute (ADI). Additional support provided by the Jerome Foundation and the New York City Department of Cultural Affairs in partnership with the City Council. Residency and developmental support provided by the Cowles Center for Dance & the Performing Arts, the Lower Manhattan Cultural Council’s Process Space, and the Dance in Process Program at Gibney Dance. Custodians of Beauty is co-presented by La MaMa and Pavel Zuštiak/Palissimo in partnership with Performance Space 122.

Kate McIntosh’s Worktable was commissioned in the frame of the event ‘Performance Is a Dirty Work’ funded by Roehampton University (England) with additional support from Flanders State of the Art. Worktable is co-presented by Performance Space 122 and The Invisible Dog Art Center.

Molly Lieber and Eleanor Smith’s Basketball is commissioned by Performance Space 122 with support from the Jerome Foundation and Mertz Gilmore Foundation. Residency support provided by Baryshnikov Arts Center and Lower Manhattan Cultural Council. Basketball is co-presented by Performance Space 122 and Baryshnikov Arts Center.

Britt Hatzius’ Blind Cinema is commissioned by Vooruit (Ghent), Beursschouwburg (Brussels) and Bronks Theatre (Brussels) with additional support from Flanders State of the Art. Blind Cinema is co-presented by Performance Space 122 and SVA Theatre in partnership with East Village Community School.

Nicola Gunn’s Piece for Person and Ghetto Blaster is commissioned by Mobile States, produced by Performing Lines and is supported by the Australian Government through the Australia Council for the Arts, its arts funding and advisory body, and was co-curated by Performance Space 122 and the City of Melbourne’s Arts House. Piece for Person and Ghetto Blaster is co-presented by Performance Space 122 and La MaMa.

Bobbi Jene Smith’s A Study on Effort is presented by ArKtype / Thomas O Kriegsmann and The Invisible Dog Art Center in partnership with Performance Space 122.

Daniel Fish’s Untitled is co-presented by Performance Space 122 and The Chocolate Factory Theater.

Yara Travieso’s La Medea is commissioned by Performance Space 122 as part of its 2016 Ramp emerging artists program with support from the Jerome Foundation. La Medea is a project of Creative Capital. The film component is produced by Dance Films Association. La Medea is a recipient of a National Association of Latino Arts and Cultures Fund for The Arts Grant through the Surdna Foundation and The Ford Foundation. Additional support from BRICLab Residency, BRIC Arts Media House and PS122 Ramp residency support provided by Ideal Glass Gallery. La Medea is co-presented by Performance Space 122 and BRIC.

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  • 3/4: PS122 and Emily Johnson/Catalyst pay deep respect to Lenape peoples, homeland, and ancestors past, present, future.

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